PURE COLOR FILMS Ltd. is a film-content creator, with the following profile:
- creative vision, screenwriting, script developing,
- finding the production company, budgeting, and financing together,
- creative producing/ showrunning work during prep, shoot, and post-production
- creative supervision under distribution, marketing, and festival running.
Lead Creator, Screenwriter, Creative Producer, Showrunner: MÓNIKA ESZTÁN
Mentor, Producer Advisor: ANDREA TASCHLER
Legal Counsel, Sponsorship and Equity Coordinator: Dr. JUDIT BOR
Crowdfunding Manager, Production Coordinator: BEATRIX NAGY
01 WHAT WE GIVE FOR A LIFE
a short film about the dilemmas faced before having children
Anna, a woman in her forties, wanders through the forest after a breakup - since she wanted a better father for her child- where she meets young Ilona and tries to convince her to leave her abusive relationship. But when the girl listens to the advice, considering to leave her fiancé, Anna’s limbs slowly begin to fade away - only to realize that Anna faced her own great-grandmother due to a time portal it turns out that, due to a time portal, she is actually facing her own great-grandmother, …
Will Anna compromise her principles, with her own birth at stake, willing to make a compromise for the sake of an unborn life, or will she sacrifice her own existence for her great-grandmother’s happiness?
rövidfilm
rövidfilm a gyerekvállalás előtti dilemmákról
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rövidfilm a gyerekvállalás előtti dilemm
A negyvenéves Anna, aki jobb apát szeretett volna a még meg sem s
(Örkény egyperces abszurd adap
A megfáradt, megalázott, semmibevett belvárosi telefonfülke, amikor meghall egy négysoros verset, fogja magát, és világgá megy. Jobb sors vár rá, vagy vesztébe roh. 02 DRONES vs BEES
utopian minimalist drama
about the duel of profit and nature
short film: A burned-out IT developer experiments with his drone startup in a village at his late grandmother’s house, but the local beekeeper has his last hive there, and the bees are panicking and fleeing because they mistake the loud machines for predators.
Will profit or the primal force of nature prevail?
Who will ultimately rule the skies?
feature film: When there are no longer any bees, plants, animals, or food left on Earth, and AI rules over everything, we follow a family through their final day dilemma before emigrating to space: the mother ultimately sends her consciousness, along with her child’s, to a distant, unknown planet, while the father decides to return to the turning point of the Earth, when technology irreversibly took the tasks from the forces of nature. He is the IT developer who, with his drones, will not take over pollination tasks, but will instead help the bees expand their range.
03 SCREEN
fantasy-adventure family series
about the challenges of raising children in the XXI. century
(screen addiction, bullying, junk food addiction...)
short film: When Bruno, a little boy addicted to digital devices, refuses to play with his oldest friend, Freja, the little girl uses a pair of smart glasses to dive into Cyberworld to convince the programmers to leave her friend alone.
Can she succeed in the middle of the digital traffic jam, in the jungle of YouTube videos that have come to life? Or does the solution lie in real life?
pilot: Folk tale fantasy characters suddenly disappear from storybooks. As the children dive into Cyberworld, they discover that Cyberlord is holding them captive and forcing them to work in computer games, but the children do everything they can to free the tale fantasy heroes.
series: Bruno and Freja attend the same school, and they face a new problem (e.g., bullying) in each episode, which they solve in an adventurous, fantasy-filled way that is enjoyable for young audiences.
a szakítása után bolyong az erdőben és találkozik Ilonával, akit próbál meggyőzni, hogy lépjen ki a bántalmazó kapcsolatából, amíg kiderül, hogy ő a saját dédanyja, és Anna végtagjai lassan elhalványulnak. A saját létezéséért beáldo
04 THE MIGHT OF THE VERSE
literary adaptation based on an absurd short story by Örkény,
about the life-changing forces of art,
later to become part of a feature film format anthology
The weary, humiliated, neglected downtown phone booth, when hearing a four-line poem, is so deeply moved that it becomes self-aware and crosses the city, sees the world, and even falls in love.
But does a better fate await it, or is it rushing toward its doom?
05 MY EVERYTHING
Romani - Hungarian Rómeo and Juliet, West Side-Story,
a musical from the clash of the two rich musical cultures
What are the chances that a Gipsy girl raised in deep-poverty and an upper-class boy from Buda get close to each other?
And if it happens, and they fatally fall in love, what happens if she kills someone in self-defense at a far-right demonstration? Will she be convicted?
Will he be able to save her wife at the trial? Or should he rather leave his love, the murderer?
obb sors vár rá, vagy vesz
06 ÜBÜ
Alfred Jarry adaptation,
a grotesque tale about the anatomy of a dictatorship
The butcher’s greedy wife, Mama Übü convinces her lazy husband to get rid of the CEO, take over the slaughterhouse, throwing the resisters into the slop pit.
Will the people be able to endure this exhausting dictatorship based on fear and brute force, or will the director’s vegan son free his father from the cold storage room and take control?
07 MOTHER TREE
intim minimalist period biopic, from a feminine perspective
pilot: Zsuzsanna Lórántffy, a 17th-century Transylvanian princess, wants to mold her son into a humble ruler, but the rebellious teenager is more interested in partying and, driven by ambition, wants to conquer foreign lands.
Meanwhile, Zsuzsanna runs a girls’ school, commissions the construction of colleges and churches, cultivates a medicinal herb and fruit garden, learns to write, and eventually even publishes her work, defying the expectations and disdain of a male-dominated society.
Will her master plan—the marriage of Zsófia Báthory—succeed in taming Zsuzsanna’s heir to the throne? And wouldn't this attract the Habsburg Empire, which wants to conquer Transylvania?
series: What did these four princesses—wives, mothers, and women—do during Transylvania’s Golden Age (Susanna Lórántffy, Sophie Báthory, Anna Bornemissza, Helena Zrinyi) that makes us remember them more than their ruling husbands?
An identity-strengthening family saga, about first-ladies stuck in the wars between empires and husbands, who stil suceed to inspire and bring harmony to their people.
+ 4 co-producers LOIs (RO, PL, SB, SK)
08 HANDBOOK for REBELLION /
TRANSYLVANIAN BRIDE ( of DRACULA’S DENTIST)
a romantic adventure, relationship, and dictatorship parody,
a “folk tale” in Hollywood comedy format,
written by a real Transylvanian girl,
(who has always been annoyed by vampire stories).
Julie, a cheerful, free-spirited woman searching for her true self, is so adored by her fiancé that he is willing to work as Dracula’s dentist, just to earn enough to ask for her hand in marriage. But will Albert, the cunning Székler lad, be able to build that life-threatening machine that grinds down Dracula’s fangs? (so that the Pope will trust the Wallachian Prince more, to give him enough money for his crusade army against the Turks?)
But what happens if, in the meantime, Julis falls in love with her lover’s boss, the passionate and religious “sexy beast” of a tyrant? And as if that weren’t enough, she takes pity on her people and even turns against him as a revolutionary, even though he’s the one financing their family’s future?
Can a relationship withstand such a fatal political divide and emotional adventure? Is safety or passion her right choice?
Mi történik, ha a drága jóember vőlegényem, aki annyira imád, hogy arra is képes, hogy Drakula fogorvosának menjen, hogy elég gazdag legyen, hogy elvehessen..?
Viszont én közben beleszeretek a főnökébe, a szendevédélyes és szexy beast zsarnokba, és ha ez nem volna elég, még forradalmárnak is állok ellene?08 DR08 DRAKULA FOGORVOSÁ (-nak a MENYASSZONYA)
Mónika Esztán has been writing spec scripts for 15 years. She has completed the NFI Genre Screenwriting School, the CINEUROPA feature film screenwriting course, the Los Angeles Drama Pilot Writing Lab with Spencer Robinson, and the Showrunner course with Balázs Lengyel at MOME OPEN.
She is a university instructor, an Art Direction MA graduate from the Hungarian University of Fine Arts and a DLA (Doctor of Fine Arts) at the Theater and Film Arts University.
She speaks and works fluently in English, French, Italian, and Romanian, and has a basic level proficiency in German and Spanish.
MÓNIKA ESZTÁN
esztan@gmail.com
+3670 557 83 09
www.monikaesztan.cargo.site
www.purecolorfilms.com/english
https://www.imdb.com/name/nm1011796/